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The U.S. national security adviser John Bolton slammed the highest United Nations tribunal as “politicized and ineffective” as he announced that the United States would review all international agreements that could expose it to binding decisions by the ICJ.
Earlier on Wednesday the ICJ handed a victory to Tehran, ordering the United States to ensure that sanctions against Iran, due to be tightened next month, do not affect humanitarian aid or civil aviation safety.
Tehran had argued that the U.S. sanctions imposed since May by the Trump administration violated the terms their 1955 Treaty of Amity. Washington responded by pulling out of the treaty.
“It was just us against the world, and us against those guys.” In early 1974, Rolling Stone was the epicenter of American youth culture. Not quite seven years into its run, the magazine’s focus had widened beyond the stoned musings of rock stars, and was offering journalistic deep dives into everything from Patty Hearst’s kidnapping to Karen Silkwood’s murder. This period was Rolling Stone’s much-celebrated golden age, a period that helped define New Journalism, breech-birth gonzo journalism, and, quite crucially, formalize rock media’s language, context, and canon.
For the most part, it was entirely men leading this charge. Robin Green was the first woman to write at the magazine, in 1971, but her tenure was brief. In the early 70s, the only women on the editorial floor were secretaries, ambitious young women with master’s degrees and years of experience primarily charged with answering phones. In January 1974, a 28-year-old feminist named Marianne Partridge began to change that, quietly changing the shape of Rolling Stone from inside, and eventually putting six women on the Rolling Stone masthead.
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